Like any Superman fan, I’m thrilled at the idea of celebrated not only his 80th birthday, but the landmark of a 1,000th issue. I feat not only impressive in the eyes of Superman fans, but an achievement for the comic book industry. Both my copy of the 1,000th issue and the Superman at 80 hardcover are happily pre-ordered. Now less than a month before the books release, I still carry many of the nerves I had at its announcement.
Action Comics #1000 will act as the start of a new era. A new creative lead and not to mention the much-celebrated return of the red trunks.
At the release of Action Comics #999 last week, Dan Jurgens has finished his latest run. And with only two issues left for Peter Tomasi and Patrick Gleason on the main series, the age of Bendis is dawning. And while he is a celebrated writer, one Marvel has sung the praises of for many years. DC has done little to inspire confidence in his upcoming take over. Instead relying on his name alone as a sign of quality. And while, yes, Bendis has certainly written some high-quality work in his time. His early Ultimate Spider-Man were a childhood favourite, House of M remains a sold event book even 13 years later, and his Guardians of the Galaxy run is heavily flawed but still enjoyable. But even die-hard fans of his work have admitted that his quality has been slipping in recent years. As well as his continues problems with pacing.
In the months since Bendis was announced to be the new writer, there has been ample opportunity for DC to show him off and provide more reassurance for fans that it is indeed a good fit, and not just a publicity stunt. Granted, Bendis’ recent hospital stay would have slowed him down. But the point still stands. Why should we care about Bendis taking the lead, when Tomasi, Gleason and Jurgens have been writing the character at the best he’s been in nearly a decade?